Barista Pro Shop, one from the chain of Streamer Cofee Company is a very unusual cafe. Situated in the district of Harajuku, Tokyo, Japan this building stands out due to it’s resemblance of a shipping container tilted vertically. I was not sure if it was a real shipping container used for the construction, but after a closer examination, I discovered  that it is only a design solution.

Barista Pro Shop container house tokyo

Click image to enlarge

Located on a small triangular plot, that used to be a parking lot, the ground floor of the building is merely 10 m². The idea behind the design of the shop is to show the manly and robust nature of string coffee by the use of steel walls, wood  and concrete. The 2nd and 3rd level temporarily hosts Armani concept store at this is a very upmarket fashion oriented neighbourhood.

There are benches provided outside as the building itself has a small footprint and not all the customers fit inside. The space provided is actively used: as visible in one of the pictures. During the day the plot was occupied by a professional photo-shooting.

More pictures of the Barista Pro Shop Harajuku:

Some images from recent findings in Hyderabad, India. The Birth Place Hospital, designed by Fountainhead architectural office.

The building is from 2013, still under construction. Part of he building is covered by translucent plastic panels and part of it by patterned façade panels.  It was very difficult to find true design in Hyderabad, this one was one of the few and  as close as it can get to quality design in this part of the world. This building does stand out from surroundings, I even tried to get inside for the pictures, however I was politely declined (the building still not finished).

This post is not about architecture as a beautiful object, and not even about pretty landscaping. But first a bit info about the building and then I will take you to the reason why this building has changed my life.

South view to the bridge dividing two parts of Nagasaki Prefectural Art Museum

I spent only one afternoon in Nagasaki, I was in the rush, but still that was enough to get very positive impression. The city is very different from other cities in Japan. It is more European and at the same time even more different. The urban planning is just great – while walking around I kept thinking to myself that many architects and planners (including some people, that I know) should be sent in to Nagasaki, to learn some important lessons they must have missed in their lifes.

View to the bay from the rooftop of museum

Landscaping nearby museum

Designed by Mr. Kengo Kuma and NIHON SEKKEI, Inc., opened in April 2005, the buildings won many prizes in building and illumination design competitions. Comprised of two buildings located across a canal from each other and connceted with a glass bridge. Interesting design feature – vertical louvers composed of approximately 12 000 square meters of Brasilian granite. The louvers give interesting and interactive dimension as you move-by.  However the best feature of  Nagasaki prefectural art museum is the wonderfully done landscaping, green rooftops what almost melt into the surroundings.

Views from roof-top terraces

After going down from the roof terrace, I was enjoying the view from bellow and then… Two girls dashed through the bridge: one in a wheel-chair and another pushing her. They were laughing very loud, they were so happy. It struck me like a lightning: the buildings do need to be accessible for everyone. Now, after some time has passed since my visit and the understanding has settled-in deeply. The understanding and idea behind accessibility seems natural now, but was not up to this scale until that afternoon in Nagasaki.

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The building is open and truly accessible to everyone (at the time the opening hours were already over)

Girls on the bridge came back and forth at least 5 times giving me plenty of opportunity to photograph them. The joyful laughter still rings in my ears up to this day.

Often people (even designers) do not take this seriously at all, even public and important buildings do not have ramps, or any means of getting there at all. But someone needs to understand, that not every handicapped person is an old drunkard who got in to such state due to his own actions (a very common assumption in the region where I live now). I must admit may times the regulations concerning handicapped people used to be seen just as a nuisance. Who has ever seen a handicapped around, but maybe THAT is the reason they are not visible? I will never be frowning again for making an accessible building; to the contrary I have since became an active advocate of accessibility!

Some more images from and around the museum:

This time I will leave all the lovely mid-century buildings aside for a little while and tell you a story about a contemporary office building in Vilnius, Lithuania which has been built in 2012. Designed by Hackel-Kaape architekten office Hamburg-Vilnius with mainly Lithuanians on the team. This project also includes restoration of  1913 secession style merchant’s house originally designed by an architect M. Prozorov. New glass addition plays a contrast role in overall composition.

View to the new addition to the “Merchants’ club” from Lukiškių square

This building is just next to the most important Gedimino boulevard in the center of Vilnius. Due to the importance of location choosing the right project was by the means of a closed competition, what was held in 2008. Other competition entries can be seen here.

The sunny weather photos are taken in summer 2012, and in the beginning of this year I came back for more. The building looks much more cheerful in a sunny weather conditions, than in the middle of winter. In the competition entry of the architects the building was presented as a bit more pale, whiter glass would be used, however in reality it is even brownish. Even thought the construction is claimed to be finished in 2012, the office spaces are still not rented out – exactly the same add half a year latter is still there on the front window. I also assume, that within the deeper side of the building the construction is not over yet, as the courtyard is still not accessible for anyone and the construction fence is still there instead of a gate.

I would like to dedicate this article as a tribute to the architect with whose work I fell in love with – Akio Okumura (1928 – 2012 December 27th2012 ).

The University is located in a hilly area on the eastern outskirts of Nagoya. Established in 1966 the campus covers a large area of approximately 410,000 square meters, with University facilities blending harmoniously with the surrounding nature and greenery.  It is a third public art school build after the war in Japan.

modernist Aichi Prefectural University of Fine Arts and Music 16

View from the Faculty of Fine Arts drawing room to the Faculty of Music

The main architects who worked on the design were Junzō Yoshimura (1908-1997) who was credited for the design and  Akio Okumura who was a young assistant professor at the time and who actually did the main work.

I actually visited the site before the death of Akio Okumura. Upon retuning to the Europe I collected the facts and the details of the University and it’s design process. Back then, just a few weeks ago, there was scarcely any information about the works of Akio Okumura or the architect himself. Now, however the articles, stories and photos to be found on the web have at least tripled.

modernist Aichi Prefectural University of Fine Arts and Music 10

Lecture Building

Discovering the modernist gem:

Strange ways lead me to this place: one nice afternoon, when I was visiting Nagoya city, I decided to visit the most recommended tourist attraction in the region: the Toyota Automobile Museum. The means of getting there was on a specially made MAGLEV train, what is elevated from the ground on special tracks. When I got out of a train and took few shots of the tracks, that was it: a battery of a camera got flat. It automatically meant that we will not be going to the museum as what is the point of being there if you cannot take any pictures (a bit shallow, I know). Since the Toyota Automobile Museum is outside the city limits and it already took long time to get there, I started looking around maybe there is something else to see nearby. There was a sign on a street to an art university (university was the trigger word). As I had my research of architecture in Nagoya done prior going there, I assumed that this must be the Nagoya University, designed by the famous modernist Fumihiko Maki, a winner of Pritzker Prize. So without much hesitation off we went. This university that I am showing to you now definitely is not the one I originally wanted to see, but latter-on I did visit and photograph the University of Nagoya (so please come back to check out my posts!).

The fist visit to Aichi Prefectural University of Fine Arts and Music left a deep impression on me. I had plenty of time to wander around the campus and enjoy the atmosphere. Being without a camera actually helped me to really be there. The day was cloudy, and in such weather modernist buildings look even more attractive than in perfect sunny conditions. I fell in love, understood and saw the ideas behind the buildings. The designer must have loved this design, something that architects know from their experience. There are sometimes designs that may not be perfect, but you just happen to feel unreasonably passionate about them. That night, before falling asleep, I was still walking around and seeing the Art University buildings with my eyes closed. I even do not think that has ever happened to me before, not with a building at least. I am not even sure that prior discovering these buildings I even liked modernist architecture at all…

Fragile moment in time or to be saved and appreciated?

Few weeks passed and I came back, and took the photos. No matter how much I photographed, it still feels it was not enough and I do not have enough shots of the wonderful details. I have a fear that the beauty and uniqueness might disappear forever, next renovation and all might be gone. All the wonderful tiles in interior, original furniture, handles, the spirit just might be gone soon. A state of the buildings is the best described as neglect, however this and assumingly a lack of money were the main factors that all has survived until this day.

At the time of my visit there were new buildings constructed next to the old campus. The new buildings were designed with the respect of the old style. As much as I could understand from different resources, the whole original campus will be renovated as well. But the renovation is not carried-on respectfully: the bathrooms that I first saw in Lecture Building were intact original ones (and yes pretty disgusting – squatting ones form the 60′s), later-on they were being renovated. However I could bet, that the process was done by just regular plumbers with no involvement or  advices from an architect. What if the management just changes all: little by little, first  “better” flooring, then “better” insulated windows, then, of course more “comfortable” seating, etc…

Some of the smaller buildings in the campus have been just left to decay on purpose, a tactic, described by local magazines as “sneak attack”. That means when the buildings become too unsafe and too expensive to renovate – there will be the easy way out as demolition strongly encouraged.

I can only hope that the death of the architect, albeit very sad, will be the trigger raising public awareness of the state of these buildings and the need to preserve them.

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Original furniture and finishes in Lecture Building

Some facts behind the concrete, bricks and wood:

This campus has been designed with a view of nature conservation. Some endangered species live in this campus ground. Certain insects and flowers can be found what are listed in the Red Book of Japan. (I saw a huge green praying-mantis, surely not rare, but a first time for me to see this insect)

Akio Okumura was struggling a lot at the time and the design, he drew a tremendous number of drawings until he came to the final version of design.

Akio Okumura envisioned Aphrodite from “The Birth of Venus” by Sandro Botticelli, standing on top of a large shell when he designed the Odeum, or concert hall. However the usage of such symbols was very unusual for this architect, otherwise very scientific man.

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Odeum or concert hall

The Lecture Building is lifted into the air, carrying a reminiscent of a museum, a linear building covered with white louvers, the building also is very symbolic.

The level of concrete detailing on Lecture Building is a piece of art, I do not think that anyone today could be bothered in making something like those elegantly curved columns.

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Lecture Building of Aichi Prefectural University of Fine Arts and Music, view from the North

The Lecture Building acts as a central axis between the Faculty of Fine Arts and Faculty of Music on the west to the east. The different disciplines are connected with covered passage and one can gaze upon music faculty from plaster room or drawing room.

Plenty of traditional elements incorporated into the design, especially the overall landscaping and specific details.

To get a “perfect” perspective in photos I had to bend my knees slightly.

Full slide-show here (please enjoy!):

This time a bank building from Brussels, Belgium. It is one of the best examples of modernist architecture and one of the best known in the area (if you ask design related locals to recommend nice modernist building this will be the one).

Modernist bank building in Broekstraat 1

Prefabricated concrete pieces mounted together with the help of metal pieces and tension cables, make an intricate façade. The building looks contemporary enough, some designers nowadays copy the style, however the level of detailing and quality of execution is difficult to match. I can hardly imagine what building, built in recent years, will be looking at least ok, 50 years down the road.

Modernist bank building in Broekstraat 2

Very sculptural corner detail:

 Modernist bank building in Broekstraat 3

The building is in a very good condition, my guess is that concrete façade must have been cleaned-up recently.

Modernist bank building in Broekstraat 4

View from the street, Brussels as a permanent construction site (changes for the better, thought) :

Modernist bank building in Broekstraat 5

However and sadly my on-line search could not retrieve any information about the building nor who designed it. It would be great if anyone from the readers could tell me, if they happen to possess such information.

Koban or small Police Station designed by  Klein Dytham Architecture, located in Kumamoto, in the southern most island of Japan. Year of execution: 2011. Possibly the friendliest and most cheerful police station in the world (by it’s looks, at least).

After a new bullet train station was built in city of Kumamoto, the area around the station was made into a sand box for architects. The program is called Artpolis and is lead  by Toyo Ito, who was the one that commissioned this police station.

Big white circles on the top part of the façade allow pastel rainbow colours painted on the inner shell to shine through:

Koban police station in Kumamoto 1 Koban police station in Kumamoto 2

The external colour-coding of the station is a part of architect’s interesting ideas. For anyone living in Japan it looks like a Japanese police car: white top, black bottom and red lamps. Very clever design move.

Koban police station in Kumamoto 3 Koban police station in Kumamoto 4

Maybe the friendliness and playfulness of the Koban’s façade was that attracted a group of very friendly  school-kids, who really wanted to talk with me (I wish I knew about what) and photo-bombed some shots:

Koban police station in Kumamoto 5

Different colours of different shades are visible when you move around the station, that makes this building very dynamic.

Koban police station in Kumamoto 6

This part of the town has buried the power-lines and the sky of this whole area is power-line free.

Koban police station in Kumamoto 7

Good path to take and a perfect example for an institutional architecture.

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